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In Western storytelling, the "mom" is often a supporting character in the background of a romance. But in literature rooted in kekeluargaan (family-centric values) like Indonesia, Malaysia, and the Philippines, the Ibu is often the third person in the marriage bed.

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In these narratives (like the film Ibu or Miracle in Cell No. 7 ), the romantic storyline with a man is often muted or absent. Why? Because the ibu has poured all her love into the anak . Any potential lover must understand that they will always come second. In Western storytelling, the "mom" is often a