Massimo Di Venanzo, a longtime Brass collaborator, bathes every scene in warm amber and saturated reds. Mirrors, keyholes, and Venetian blinds fragment the body, inviting the viewer to become a voyeur alongside the protagonist.
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Massimo Di Venanzo, a longtime Brass collaborator, bathes every scene in warm amber and saturated reds. Mirrors, keyholes, and Venetian blinds fragment the body, inviting the viewer to become a voyeur alongside the protagonist.
