Working under sodium lamps, the drone came alive like a patchwork animal. Wires were rerouted. Firmware recompiled. The phase shifter, delicate as a hummingbird's rib, slotted into place with an alien click. When the drone hummed and levitated, the city seemed to exhale.
The great Japanese genre director Kiyoshi Kurosawa, whose latest film is “Cloud,” has mastered the cinema of psychological fright. The New York Times nachi kurosawa new