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: Nolan uses two timelines—"Fission" (color, Oppenheimer’s perspective) and "Fusion" (black and white, Lewis Strauss’s perspective). This duality keeps a 3-hour movie about physics and hearings feeling fast-paced and intellectually rewarding. The Sound & Score

: Nolan uses two timelines—"Fission" (color, Oppenheimer’s perspective) and "Fusion" (black and white, Lewis Strauss’s perspective). This duality keeps a 3-hour movie about physics and hearings feeling fast-paced and intellectually rewarding. The Sound & Score