The journey of Mollywood can be divided into several defining eras:
In the last decade, Malayalam cinema has undergone a "second wave," often called the . Filmmakers like Lijo Jose Pellissery ( Jallikattu , Ee.Ma.Yau ), Dileesh Pothan ( Maheshinte Prathikaaram , Thondimuthalum Driksakshiyum ), and Mahesh Narayanan ( Malik , Take Off ) have shattered conventional storytelling. They explore contemporary anxieties: globalization’s impact on rural life, religious extremism, caste violence, and diaspora identity. The journey of Mollywood can be divided into
Kerala's cultural exchange with the world has been facilitated by its diaspora community, which has played a significant role in promoting the state's culture, including its cinema. The annual International Film Festival of Kerala (IFFK) has become a premier event, showcasing films from around the world and providing a platform for cultural exchange. Kerala's cultural exchange with the world has been
Furthermore, the industry has historically ignored Dalit and Adivasi perspectives. While films like Biriyani (2013) touched on it, the driver's seat is still largely occupied by upper-caste (Nair, Ezhava, Syrian Christian) narratives. However, new voices are emerging—women directors, independent storytellers—who are forcing a reckoning. While films like Biriyani (2013) touched on it,