Stripped of their clothes and social masks, they spend the next 24 hours in a forced intimacy that shifts from a sexual pursuit to an intellectual battleground. As they wait for rescue, they discuss literature, politics, journalism, and the passage of time, gradually revealing their vulnerabilities and the ideological chasm between their generations.
María Valverde, then 24, held her own. Despite the inherent power imbalance of the script (a naked young woman with an older man), Valverde’s performance shifts the dynamic. By the third act, Ángela is no longer the student; she is the prosecutor, putting the entire Francoist generation on trial. Madrid 1987 Imdb