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In one of the most iconic scenes of Dead Poets Society (Peter Weir, 1989), Robin Williams’s John Keating instructs his students to rip out the introduction of their poetry textbook—an act of intellectual defiance against rigid authority. Three decades later, fans of the film are engaged in a parallel act: ripping, saving, and redistributing digital fragments of the film’s production that studios have abandoned or locked behind paywalls. This paper explores the unofficial "Internet Archive" of Dead Poets Society —not a single website, but a distributed network of preservation. How do these fan-driven archives challenge traditional notions of authorship, ownership, and historical memory? Dead Poets Society Internet Archive