A shot that may have "sucked" in its raw form—perhaps due to difficult lighting conditions on a grueling set—often requires a digital colorist or technician to "fix" the data.

: In the original theatrical release of Waves , the cinematography credit for Drew Daniels was inadvertently followed by a line of placeholder text or a misattributed credit involving Dan Broughton .

: Understanding what "sucked" and "fixed" implies in this context can offer lessons. For instance, if it was a performance issue, how was it addressed? If a public image issue, what steps were taken?

While less of a public "celebrity" than Daniels, Broughton is often associated with technical production and digital imaging roles that ensure a director’s vision translates perfectly from sensor to screen. The "Fix" Explained

: Unrelated sports personalities like former NFL punter Drew Butler .

Dan Broughton, on the other hand, has maintained that the photograph was a work of art, and that it was never intended to cause harm or offense. He has continued to work as a photographer, albeit at a slower pace and with a greater sense of caution.